If so, maybe the Renaissance marks the moment the empire struck back. I don't know if it grated when Native Instruments' Maschine appeared, applying MPC-like control to all those desirable software elements. But after a long reign and many hardware generations, not even Akai can resist the vast and constantly shifting world of computer-based production and its DAWs, virtual instruments and gargantuan sample libraries. It seems like Akai's MPC range has been around forever, revered for solid sequencing, a straightforward interface and no-nonsense sampling. The legendary MPC brand is reborn in a form that aims to marry its famous hands-on ethos with the unlimited possibilities of the software world.
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